Amy Stuart Hunn
Soprano Amy Stuart Hunn is a choral conductor by training, with advanced degrees from Stanford University and USC. She is Emeritus Artistic Director of the Los Altos-based Collage Vocal Ensemble, served as director of the Stanford Summer Chorus for eight seasons, and has guest-directed a number of Bay Area ensembles including the California Bach Society and the Stanford Symphonic Chorus. In 2017, she relocated to Portland, Oregon with her family, in search of rain and adventure - both of which she has found in abundance. In Portland, she currently sings on staff with the Trinity Episcopal Cathedral Choir, and will appear this spring with the women's vocal ensemble In Mulieribus. When she is not singing or wrangling her two fascinating children, Amy enjoys cooking, gardening, yoga, boxing (with a bag only!), and hiking with her hubby, Kurt.
Allison Zelles Lloyd
Allison Zelles Lloyd (soprano) has recorded and performed in the United States and Europe with Bimbetta [d'Note label], Medieval ensemble Altramar [Dorian], Paul Hillier’s Theatre of Voices [Harmonia Mundi], Jeffrey Thomas’ American Bach Soloists [Delos], and minimalist, Steve Reich [Nonesuch]. Allison can also be heard on several Indiana University Focus label recordings including the Hildegard The Lauds of St. Ursula, and the recent 2013 Naxos release of Bortniansky Hymns and Choral Concertos. Allison holds a Masters of Music degree from the Early Music Institute of Indiana University. She also utilizes her vocal, medieval harp skills in the music education of young children and has been teaching Music Together and Orff Schulwerk music programs in the SF Bay Area for the last fourteen years. Allison is a lecturer on Early Childhood Music Education at St. Mary's College for undergraduates and Montessori certificate candidates. She continues to sing locally with the ABS Choir, and Calextone.
Phoebe Jevtovic Rosquist
Phoebe Jevtovic Rosquist’s singing spans repertoire from the medieval to the contemporary, with a specialty in the baroque era. She has appeared as a soloist with the Waverly Consort, Voices of Music, American Bach Soloists, Musica Angelica, Bach Collegium San Diego, and North Holland Opera. Among her varied collaborations are the baroque ensemble La Monica; medieval ensemble Cançonièr; art song with celebrated pianist Robert Thies; and early music and dance with Italy’s visionary Art Monastery Project and Bologna-based Cappella Artemisia. Phoebe has also toured the US and Indonesia with Gamelan X (a Balinese/hybrid world music ensemble), and sung Balkan & folk music with Kitka and VOCO. Phoebe can be heard on a diverse collection of albums recorded on the Naxos, Nonesuch, Delos, Dorian, and Decca labels. Highlights include singing in studio sessions at the iconic Capitol Records in LA, and at Skywalker Ranch in Lucas Valley. Phoebe completed her Master of Arts degree in Early Music Performance at the University of Southern California, and has edited a book of 17th century solo songs by Tarquinio Merula published by A-R Editions. Also a choral conductor, she has directed a Gregorian chant choir in Newport Beach, directed the Art Monastery Coro in the U.S. and Italy, and co-directs the Women's Antique Vocal Ensemble (WAVE) in Berkeley.
Celeste D. Winant
Celeste Winant, alto, enjoys singing Hildegard, Jefferson Airplane (last heard at a karaoke bar in Truckee, CA), and everything else that comes in between. She studies voice with Karen Clark and performs regularly with American Bach Soloists, AVE, Philharmonia Chorale and Volti. Last spring, she toured with San Francisco Lyric Opera's critically- acclaimed production of David Lang's Pulitzer Prize-winning the little match girl passion in Odense, Denmark. Among other hobbies, Celeste holds a PhD in Physics from UC Berkeley, and an S.B. in Physics from M.I.T. As a post doctoral fellow at Lawrence Livermore, Celeste worked on the development of nuclear physics instrumentation for dark matter and neutrino detection.